Blog

We are incredibly lucky to have the brilliant and talented Siri Arnet on staff. Not only is she a fine artist and musician with several special projects always on the go, she’s also one of our senior caption timers and has been with us since...

This month we're featuring Steffani Cameron! A  Twitter luminary in her own right, Steff has been working with us as a caption timer since 1998. With her wicked sense of humour and joie de vivre, she lights up every project she works on. Little known fact:...

This time of year we feel really fortunate, and as we take time to celebrate the holidays and new year, we'd like to share the charities that we support. When small amounts of our money join with small amounts of other people's money, we can make big...

Cutting point from the film, Subways, 5 Variations on a Theme by Rilke ©2001, Daniel Conrad; dancer Petr Opavsky; choreographer Crystal Pite. We have had the pleasure of working with Vancouver filmmaker Daniel Conrad many times on his beautiful arts documentaries, and were happy to see this...

This month's trick comes from Mark Longstaff-Tyrrell of Frisnit Electric Industrial Co. He's invented an awesome trick to turn TV shows into a series of annotated static shots — an instant kind of comic book that you can read on your ereader! This is a...

Meet our Script Department Supervisor, Leslie! Leslie has been with Line 21 for 14 years, starting out as a caption editor in 1998. Today, Leslie manages the entire script department and works hard to deliver the best quality scripts to clients. What You Did Before Line...

              MacCaption, made by CPC and one of the applications we use for captioning, has a new feature called Assemble Caption that allows you to work more closely with a final cut pro timeline and automatically edit an existing caption file. It’s a efficient tool that gives...

In "Which sounds are significant? Towards a rhetoric of closed captioning," Sean Zdenek argues that captioning is an interpretive practice where caption quality can be assessed in terms of genre, audience, context, and purpose. "A rhetoric of closed captioning goes beyond questions of accuracy, timing, and...

In Smells Like New Mayonnaise To Me: Captioning/Subtitling Music, I talk about how, when I first started captioning and was peer-reviewing a co-worker's work, I saw this go by on the screen: I feel like my head is gone And what the hell is going on And it...